http://www.generatorx.no/
generator.x project
The Generator.x project is a conference, exhibition and weblog examining the role of software and generative strategies in current digital art and design.
‘The computer has become an essential tool in all forms of cultural production, and as such it has become the constant companion of creatives everywhere. Increasingly, the computer is both the means of production and the architecture of presentation. In the case of meta-media like HTML and Flash, the software is the medium.’
Generator.x, stylish and bold when it comes to layout and design, looks at the growing movement of Generative Aesthetics, Computational and Procedural Art, and Perfomative Software – including audio-visual art-ware such as VVVV. It is also a growing repository of links to resources on Generative Art as well as features on well known and respected Computation Artisans.
Vía : dataisnature
http://www.eyesweb.org/
EyesWeb. V. 4.0.0.10 Beta Platform
EyesWeb is very similar to MSP MAX/NATO for the MAC, only it runs on the PC. Also it’s a free, and very flexible application.
It’s designed to assist in the development of real-time music and multimedia applications. EyesWeb supports the user (i) in the development and experimenting of computational models of expressive content communication and of gesture mapping strategies, (ii) in fast development and experiment cycles of interactive performance setups.
en caso que no vieron a mr. tamale en nuestra gira mundial ahora pueden disfrutar de los tamales desde el comfort de su propio hogar en:
http://www.mrtamale.com/
http://www.stephenvitiello.com/
Stephen Vitiello
“Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment. He has composed music for independent films, experimental video projects and art installations, collaborating with artists such as Nam June Paik, Tony Oursler and Dara Birnbaum. In 1999 he was awarded a studio for six months on the 91st floor of the World Trade Center’s Tower One, where he recorded the cracking noises of the building swaying under the stress of the winds following Hurricane Floyd. As an installation artist, he is particularly interested in the physical aspect of sound and its potential to define the form and atmosphere of a spatial environment.”
- Fondation Cartier pour l’art contemporain
vital weekly webcast
On this website you will find so-called ‘pod casts’ for Vital Weekly. From issue 480 onwards we will have every week a MP3 file with excerpts of the some music reviewed that week. You can download this to your ipod (or of course any other MP3 player) and listen to it as a radio programm. Shows will remain on this site for a limited amount of time only.
http://www.vitalweekly.net/
http://www.harmlog.nl/vitalfeed.asprss feed
http://ipodder.sourceforge.net/ For more information on podcasts go.
tracklist for Vital Weekly 481
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
0000 Tune
0015 Science Force – Confusion
0230 The Organisation Of Sound – We Could Be Worse
0451 Derfla And Maniac Mansion – Amy Of A Thousand Moons
0734 Arturas Bumsteinas – Live@Rixc
0957 Joe Colley – All Of Us Are Monsters And All Of Us Think The Others Are Monsters
1255 Steve Roden – Transmissions (Voices Of Objects And Skies)
1536 @C – 48.01
1716 Tune
http://www.musiclab.columbia.edu/
the musiclab experiment
After listening to the music of Britney Spears, we became interested in why some musicians become superstars while other seemingly similar musicians don’t. To understand this process better, we decided to find out how people form their musical tastes. We have created a website where people can listen to, rate, and download songs by cool, up-and-coming artists. All the downloads are free and legal so the site is a great place to find new music, help support emerging artists, and help out science — all at the same time.
a project by Duncan Watts
Fuente: eyebeam_reblog
Así es el backscatter scanner (una máquina de rayos X) que el Presidente Bush quiere implantar en los aeropuertos de los EEUU (lo que significa que muy pronto estará en los aeropuertos europeos).
Fuentes: Jorge Cortell // epic
Algún día llegará… mierda!
David Bravo publica un libro sobre P2P y derechos de autor
Bajo licencia Creative Commons, David Bravo ha publicado su primer ensayo, titulado “Copia este libro”, en el que trata los aspectos más polémicos de las redes p2p y la propiedad intelectual. Bravo, colaborador habitual en la revista @rroba, analiza el papel de los medios de comunicación, la industria discográfica y los superventas en la generación del miedo y la mentira, estrategia que busca detener un avance tecnológico que beneficia a millones de internautas. En el libro, se desmontan las tesis que criminalizan y califican de piratas a quienes comparten cultura, y se aportan datos que avalan la legalidad, y conveniencia, de las descargas de obras culturales. “Copia este libro” se edita en papel, y puede encontrarse en los principales quioscos de todo el país a un precio de 9,95 euros. El autor, abogado y experto en derechos de autor, es conocido por diversas charlas que le han dado popularidad, entre las que destaca la del hackmeeting de Sevilla, que alcanzó gran difusión en Internet. Ha participado, también, en diferentes debates televisivos: Enfoque, en la 2 de Televisión Española, dirigido por Pedro Piqueras, y Mejor lo hablamos, en Canal Sur, a cargo de Rafael Cremades.
http://www.filmica.com/david_bravo/archivos/001788.html
http://www.musicaltime.com/home.html
Literal
The Musical Time project began in the 2001 as a proposal for creating a web site for the History of Music class at the Milan Conservatory in Italy. The purpose was to create a database or a kind of online library with the student’s analysis of 20th century musical works, studied during each year monographic course. The idea was to make these dissertations accessible for the whole class, creating in a near future a big database with a lot of material for the curious musical researcher and for future course students.
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Contiene una interesante recopilación de ensayos, sección “Articles & essays” [http://www.musicaltime.com/articles%20&%20essays.htm], que tratan distintos aspectos relacionados con la música del siglo XX, desde la acústica y la psicología de la percepción a la Computer music, la teoría o la semiología de la música. Incluye numerosas estrevistas y textos (Morton Feldman, Peter Greenaway, Gérard Grisey, Lou Harrison, Mauricio Kagel, John Cage, Jean-Claude Risset…)
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