This next issue of TACET seeks to address these different points from an interdisciplinary
perspective and to bring together an ensemble of studies (cross-disciplinary, general or focusing on the analysis of specific cases), examining sound space through the multiple problems which represent it and seek to define it. Among these focal points are: the strategies at work in contextual practices, the sound dimension of architecture, the stage space and scenography of sound art exhibitions, art in situ and site-engaged practices, listening spaces and the sound perception of space, the use of sound in institutional critique, sound installations in the public space and the history of spatialization.
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