• SECCIONES
    • Audiovisión
    • Sound Studies
    • Cuadernos
    • RADIO
  • ARCHIVO
  • SOBRE NOSOTROS
  • CONTACTO
./mediateletipos)))
  • SECCIONES
    • Audiovisión
    • Sound Studies
    • Cuadernos
    • RADIO
  • ARCHIVO
  • SOBRE NOSOTROS
  • CONTACTO
31 March 2005

Brain-computer interface for music

Written by Chiu Longina
Audioteletipos artilugios Leave a Comment

http://cmr.soc.plymouth.ac.uk/interaction.htm

Brain-computer interface for music

The Future Music Lab at the University of Plymouth, England, is looking for new modes of interaction with musical systems through bio-signal interfacing, networks and responsive environments.

One of the projects the team is working on is a “brain cap” that can detect and recognize musical ideas in the minds of composers with up to 99 percent accuracy. Project leader Eduardo Reck Miranda reported up to 99 percent accuracy in recognizing specific electroencephalogram patterns for musical ideas using a 128-electrode EEG brain cap with signal-processing algorithms. […]

Although the musical ideas tested were extremely simplistic, compared with the complexity of musical composition, the team has demonstrated that the idea of interfacing the brain with computers for musical applications is no longer a science fiction fantasy.

Miranda also plans to switch from the 128-electrode brain cap (rather cumbersome and inelegant) to a magnetic encephalogram, which records the magnetic field generated by neural activity. MEGs are less well-developed than EEGs, but they should provide more accurate, localized signals that might not even require a cap.

Fuente : we-make-money-not-art

Compartir
 Previous Article Visual Music. Moca.org
Next Article   regenerative music

Related Posts

  • EUFÒNIC. TERRES DE L’EBRE / 10ª EDICIÓN

    16 July, 2021
  • 10ª convocatoria de residencias artísticas

    3 May, 2021
  • SOUND, ENERGIES AND ENVIRONMENTS

    7 May, 2019

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Tweets by mediateletipos
  • 023MR / Patologías Sonoras XI – Bonus Track

  • Patologías Sonoras

  • 022MR / Patologías Sonoras X – ASMR

  • 021MR / Patologías Sonoras IX – Implantes cocleares

  • 020MR / Patologías Sonoras VIII – Anacusia

  • 019MR / Patologías Sonoras VII – Sordera

  • 018MR / Patologías Sonoras VI – Hipoacusia

  • 017MR / Patologías Sonoras V – Hiperacusia

  • 016MR / Patologías Sonoras IV – Acúfenos

  • 015MR / Patologías Sonoras III – Audioprótesis

  • 014MR / Patologías Sonoras II – Otorrinolaringología

  • 013MR / Patologías Sonoras I – Audiología

  • 012MR / Carmen Pardo

  • 011MR / Jorge David García

  • 010MR / Jaume Ferrete

  • 009MR / Ixiar Rozas

  • 008MR / María Salgado

  • 007MR / ALKU

  • 006MR / Francisco López

  • 005MR / Esther Ferrer

  • 004MR / Anna Ramos

  • 003MR / Jaime de los Ríos

  • 002MR / Alex Arteaga

  • 001MR / Perfecto Herrera

Tags

acciones acústica arte arte sonoro artilugios artistas audiovisual charlas cine comunidades convocatorias copyleft cultura libre directos educación entrevistas eventos exposiciones festivales fonografía grabaciones de campo hacktivismo historia ideologías instalaciones instrumentos inteligencia colectiva internet libros música netaudio novedades nuevos medios paisaje sonoro podcasts radio recursos ruido software software libre sonido talleres textos videoarte vídeo

Comentarios

  • christoph cox lecture – Sonic Field on Christoph Cox Lecture
  • Charlas - El instante de Sísifo on 011MR / Jorge David García

ENLACES

  • Artesonoro.org
  • Aurales
  • Escoitar.org
  • Observatorio de la Escucha
  • Sensxperiment 2011
  • Ursonate Fanzine
  • Zemos98
© Copyleft 2022. Algunos derechos reservados. Web alojada en Pumpun. I/O