Entre el 14 y el 17 de de noviembre se dará en Insianápolis el 58º encuentro de etnomusicología. Para las personas interesadas, SEM ofrece un servicio de Streaming, que dado el cambio de horario se reduce un poco para Europa. Hemos hecho el mínimo esfuerzo de cambiar las horas en la lista a continuación, aunque también puede verse en este enlace que hora es allí en cada momento. Si alguna persona está realmente interesada, y le dicen algo todos estos nombres, tiene charla para todo el fin de semana. Así que pegamos aquí la lista de intervenciones que podrán verse en streaming, con las horas cambiadas al horario europeo.
Thursday, November 14
3:30 – 5:30
Indiana Ballroom – F
Music and Evolution
Chair: Judith Becker, University of Michigan3:30 The Evolutionary History of Human Musicality: Empirical Approaches
Aniruddh Patel, Tufts University
4:00 Mediating Social Uncertainty: Music as Communicative Social Interaction
Ian Cross, University of Cambridge
4:30 Cultural Evolution of Music
Patrick Savage, Tokyo University of the Arts
5:00 General discussion
5:45 am – 6:15
Indiana Ballroom – F
Film Music
Chair: Nilanjana Bhattacharjya, Arizona State University
Live URL & Archive URL5:45 Tracing Musical Cosmopolitanism in 20th-Century Bengal: The Case of “Baajey Koruno
Shurey”Suddhaseel Sen, Presidency University, Kolkata (India)
6:15 Re-sounding the Mexican Revolution: Music and Changing Conceptions of the Revolution in
Contemporary Mexican CinemaJacqueline Avila, University of Tennessee
6:45 Don’t Tell Me How to Listen: The Music of North American Observational Cinema
Benjamin Harbert, Georgetown University
8:45 – 10:45
Indiana Ballroom – F
Experimentalism in Latin America
Chair: Alejandro Madrid, Cornell University8:45 From Sounds of the Cosmos to Neo-Indigenist Happenings: The Reinvention of Sonido 13
at the End of the 20th CenturyAlejandro Madrid, Cornell University
9:15 Transgressing the Streets of Mexico City: The “Renovative Destruction” of Collective
ImprovisationAna R Alonso-Minutti, University of New Mexico
9:45 From Tango Nuevo to Avant-Garde: Disenchantment with the Fringes of Music Making
Eduardo Herrera, Rutgers, The State University of New Jersey
10:15 Discussant
Benjamin Piekut, Cornell University
11:00 – 12:30
Indiana Ballroom – F
Technologies and Remixes
Chair: Rene Lysloff, University of California, Riverside11:00 Where Does this Cable Go?: Guitar Amplifiers, Instrumentality, and Sonic Ecology
David VanderHamm, University of North Carolina, Chapel Hill
12:30 A Tribe Called Red: Reversing Stereotypes Through Remix
Christina Giacona, University of Oklahoma
12:00 Remix<->Culture: A “Fair Trade” Approach to Remixing Field Recordings
Daniel Sharp, Tulane University
Friday, November 15
11:00 – 12:30
Marriot Ballroom – 5
New Perspectives on Ethnomusicology
Chair: Timothy Rice, University of California, Los Angeles9:00 Quantum Ethnomusicology?: Meditations on “Objective Aesthetics” in World Music
Michael Tenzer, University of British Columbia
11:30 Biography, an Emergent Genre in Ethnomusicology
Lois Wilcken, La Troupe Makandal, Inc.
Saturday, November 16
3:30 – 5:30 am
Indiana Ballroom – F
Revolution and Song: Exploring Martyr Music of the Egyptian Spring
Chair: Carolyn Ramzy, University of Toronto3:30 The Social Power of “Shahid” (Martyr) Metaphors in Music Videos Produced by Football
Fan-activists in Egypt’s 2011-12 Revolution: A Durkheimian PerspectiveMichael Frishkopf, University of Alberta
4:00 To Die is Gain: Singing a Heavenly Citizenship among Egypt’s Coptic Christians
Carolyn Ramzy, University of Toronto
4:30 The Martyr Pop Moment
Daniel Gilman, DePauw University
5:00 Women and Music in the New Arab Revolutions: Bereavement, Pride, and Empowerment
Guilnard Moufarrej, Defense Language Institute
5:45 – 6:15 pm
Indiana Ballroom – F, Live Video-Streaming
Indigenous Movement, Sound Activism
Chair: Dylan Robinson, Royal Holloway, University of London|5:45 The Sensory Politics of Hope and Shame: Being Idle No More
Dylan Robinson, Royal Holloway, University of London
6:15 The Round Dance as Spiritual and Political Vortex
Elyse Carter Vosen, The College of St Scholastica
6:45 Ear Cleaning and Throat Clearing: Aurality and Indigenous Activism in Canada
Lee Veeraraghavan, University of Pennsylvania
Sunday, November 17
3:30 – 5:30
Indiana Ballroom – F
Cultural Policy, Heritage Protection, and the Performing Arts: Perspectives from Haiti, Mexico, and the Republic of Korea
Chair: Jeff Titon, Brown University3:30 From Occupation to Earthquake: The Challenging Terrain for Intangible Cultural Heritage
Protection in HaitiRebecca Dirksen, Massachusetts Institute of Technology
4:00 Cultural Policy or Cultural Consumption?: Early Stages of Mariachi Music as Intangible
Cultural Heritage in MexicoLeticia Isabel Soto Flores, Escuela de Mariachi Ollin Yoliztli en Garibaldi
4:30 Staging the Elderly: The Impact of Cultural Policy on the Age of Performers
CedarBough Saeji, Hankuk University of Foreign Studies
5:00 Discussant
D. Sonneborn, Smithsonian Institution
5:45 am – 7:15 pm
Indiana Ballroom – F
Discourses, Histories, and Transpositions in East African Music and Expressive Culture
Chair: Matthew Morin, Dixie State University5:45 Permutating Development Discourses: Music Initiatives, Musicians, and Entrepreneurs in
East Africa’s NGO SectorMatthew Morin, Dixie State University
6:15 Musical Regalia, Kingship, and Oral History in Buganda, Uganda
Damascus Kafumbe, Middlebury College6:45 The Benga Boom and Role of Luo Musicians in Transforming Kenya’s Ethnically Fractured
Recording MarketIan Eagleson, Central Connecticut State University
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