Que alguien juegue o gane un deporte por lo general suele producir cierta complicidad e incluso sentimientos nacionales, esto es bien sabido. Imagino que como forofos virtuales de los estudios aurales, nos puede hacer igual ilusión ver el nombre de María Andueza entre tanto anglo en este segundo número de diciembre de la revista sobre sonido Sound Effects. Un texto sobre instalación sonora en espacios públicos en el que el nombre de Neuhaus sigue apareciendo frecuentemente, que propone una historia del arte que se piense desde obras no exclusivamente sonoras.
Además de este texto, hay otros con muy buena pinta como por ejemplo el de Solène MARRY centrado también en aspectos de sonido, espacio público y territorio.

SoundEffects – An Interdisciplinary Journal of Sound and Sound Experience. We are pleased to announce the launch of SoundEffects, a new international peer-reviewed journal on sound and sound experience operating on the Open Journal System.
SoundEffects brings together a plurality of theories, methodologies, and historical approaches applicable to sound as both mediated and unmediated experience. The journal primarily addresses disciplines within media and communication studies, aesthetics, musicology, comparative literature, cultural studies, psychology and sociology. In order to push the boundary of interdisciplinary sound studies into new areas, we also encourage contributions from disciplines such as health care, architecture, and sound design. As the only international journal to take a humanities-based interdisciplinary approach to sound, SoundEffects is responding to the increasing global interest in sound studies.
One of the advantages of SoundEffects as opposed to paper journals is that we can offer authors the possibility to attach sound bites to their articles (please check the Author Guidelines).

The editors of SoundEffects: Birger Langkjær, Erik Granly Jensen, Birgitte Stougaard Pedersen and Iben Have.
Articles

Music and the emergence of experimental science in early modern Europe
Penelope Gouk PDF

Recycling sound in Commercials
Charlotte Rørdam Larsen PDF

AN ELUCIDATION OF PUBLIC SOUND ART THROUGH A NON-SONOROUS TRADITION
María Andueza Olmedo

Street Cries and the urban ritornelle
Jacob Kreutzfeldt PDF

Michael Jackson’s Sound Stages
Morten Michelsen PDF

I am Recoding the Sound of My Speaking Voice. Enunciation in Alvin Lucier’s I’m Sitting in a Room
Anette Vandsoe PDF

Radiolab – three different approaches
Ola Stockfelt, Ansa Lønstrup, Torben Sangild PDF

The musicalized soundtracks of Armadillo. Emotional realism and real emotions
Iben Have PDF

Ordinary sonic public space. Sound perception parameters in urban public spaces and sonic representations associated with urban forms
Solène MARRY PDF

The Body of Sound: Sounding out the History of Science
Holger Schulze PDF