• SECCIONES
    • Audiovisión
    • Sound Studies
    • Cuadernos
    • RADIO
  • ARCHIVO
  • SOBRE NOSOTROS
  • CONTACTO
./mediateletipos)))
  • SECCIONES
    • Audiovisión
    • Sound Studies
    • Cuadernos
    • RADIO
  • ARCHIVO
  • SOBRE NOSOTROS
  • CONTACTO
29 septiembre 2015

VISITAZIONI 2015

Written by Mikel R. Nieto
Mediateletipos arte sonoro, conciertos, escucha, exposiciones, festivales, fonografía, grabaciones de campo, instalaciones, música, paisaje sonoro, ruido, sonido 2 Comments

Nos hacemos eco de la segunda edición del festival VISITAZIONI (desde el 17 de septiembre hasta el 5 de diciembre de 2015) que tendrá lugar en Roma, Italia. Toda la información del festival está disponible en este enlace y el programa completo aquí.

VISITAZIONI 2015

INSTALLATIONS @ SALA SANTA RITA
from Tuesday to Saturday – 15-19 – Sunday and Monday closed

ELIO MARTUSCIELLO (IT)
TO EXTEND THE VISIBILITY
From Friday 18 to Saturday, September 26
Thursday, September 17, at 19.00 – Opening

ALBERT MAYR (IT)
ESTENSIONI
From Wednesday, September 30 to Saturday, October 10
Tuesday, September 29, at 19.00 – Opening

PETRI KULJUNTAUSTA (FI)
RED LINES
From Wednesday 14 to Saturday, October 24
Tuesday, 13 October, at 19.00 – Opening

LUCA MITI (IT)
FORSE STANOTTE (OPERETTA INUTILE)
From Wednesday, October 28 to Saturday, November 7
Tuesday, 27 October, at 19.00 – Opening

XABIER ERKIZIA (EH)
NON DIRE (NIENTE)
From Wednesday 11 to Saturday, November 21
Tuesday, November 10, at 19.00 – Opening

ALVIN CURRAN (US/IT)
MEV’S GLASS PIANO
From Wednesday, November 24 to Saturday, December 5
Tuesday, November 24, at 19.00 – Opening

INSTALLATIONS @ CORTILE DEL TEMPIO DI APOLLO
from Monday to Friday – 8-18,30 – Saturday and Sunday closed

ALEX MENDIZABAL (EH)
«ORECCHIE VECCHIE CAVE…»
From Wednesday, September 23 to Friday, October 2
Tuesday, September 22, at 19.00 – Opening

GIANFRANCO PERNAIACHI (IT)
TERRE RARE
From Wednesday 21 to Friday, October 30
Tuesday, 20 October, at 19.00 – Opening

MARCELLO LIBERATO (IT)
MOBILE
From Wednesday 18 to Friday, November 27
Tuesday, November 17, at 18.00 – Opening

All the artists will attend the opening evenings, with a performance
designed to integrate the installation

SPECIAL EVENTS

Wednesday, September 30, at 11.00: Courtyard of the Temple of
Apollo in Circo
CURVA CHIUSA (Alex Mendizabal (EH) and Chris Blazen (US)), will
present «… In Motion”.
Sound action, concert, experiment.

Saturday, 10 October, at 17.00: Sala Santa Rita
ALBERT MAYR – finestra.window
Albert Mayr, in the final day of his installation, will conduct a workshop on
listening to the soundscape and present the verbal score
«finestra.window», published by ANTS records (Roma). The evening is
included inside the 11th Day of Contemporary Art – AMACI

Tuesday, December 1, 2015, at 17:00: departure from Sala Santa Rita
WALKABOUT NELL’AUTUNNO CONTEMPORANEO
A nomadic conversation, conducted by Carlo Infante-Urban Experience,
with the protagonists of «VISITAZIONI. International Festival of Sound Art»

SALA SANTA RITA, Via Montanara (ad. Piazza Campitelli)
CORTILE DEL TEMPIO DI APOLLO IN CIRCO Piazza Campitelli, 7

VISITAZIONI-2015

Compartir
 Previous Article Noise
Next Article   Desire as cement

Related Posts

  • KAARMICC’: Audio-Homenaje / Audio-Tribute Miguel A. García (1978-2025)

    19/01/2025
  • Miguel Ángel García

    06/01/2025
  • The Losers Conspiracy – (V)

    25/02/2024

2 Comments

  1. alex
    02/10/2015 at 9:14 AM

    Creo que es muy interesante, y quizàs poco conocido en españa, el trabajo de Albert Mayr (Bolzano 1943)
    http://www.propostesonore.org/MAYR-IT.html
    Ha trabajado muchas cuestiones sobre el paisaje sonoro y tiene trabajos muy estimulantes sobre el tiempo y los ciclos.

  2. Mikel R. Nieto
    03/10/2015 at 1:24 PM

    Del programa de la instalación de Alber Mayr: (Ingles / Italiano)

    In the discussions on the new notational systems one
    question was and still is a crucial point, i.e. the question if,
    and if yes to what extent the extensive spatial parameter of
    length and the extensive temporal parameter of duration may
    elicit similar forms of perception and processing of the
    perceived data. In the second half of the 20th century many
    composers have tried to replace the traditional, symbolic
    notation of duration with an analog one which shows the
    relative duration of a sound event through the spatial length
    of the sign by which that event was represented in the score. !
    This practice had and still has is appropriate for musics
    realized with synthetic sounds fixed on a CD or similar
    device; in this case the score (when it is written/drawn) usually
    functions as a (post factum) record and is not meant to be the
    guide for a live performance. It would also be strange to try to
    represent the duration of electroacoustic sounds through the
    traditional symbolic notation of instrumental music. For the
    latter, on the other hand, the symbolic notations appears to
    be much easier to read (and here we will not discuss the
    various attempts at new notations of duration). The issue has
    been discussed much less as far as the listeners/viewers are
    concerned, in fact we do not know what happens in the case
    of a presentation of successions of sound events/silences with
    durational proportions reflecting those of the spatial
    extensions of the place; will this ‘kinship’ be noticed or even
    elicit a particular aesthetic experience? !
    This is the question I chose to address in Extensions. Four
    spatial extensions in S.Rita are highlighted (the greatest and
    the smallest vertical ones, and the greatest and the smallest
    horizontal ones). The rations between these extensions form
    the skeleton for the articulation of the durations of sound
    events and silences. The lights follow the same (but
    multiplied) ratios. !
    The work does not intend to be a synaesthetic research on
    sound and light (personally I consider synaesthesia not to be a
    promising field), but wants to create a spatio-temporal
    environment where, perhaps, you may be able to perceive the
    common aspects of space and time.!

    _______________
    La domanda, se, e se sì in che misura, il parametro estensivo
    spaziale della lunghezza e quello temporale della durata
    possano dare luogo a forme simili di percezione ed
    elaborazione del dato percepito è stato ed è tuttora un punto
    centrale nella discussione sulle nuove forme notazionali. !
    Molti compositori, nella seconda metà del Novecento, hanno
    provato a sostituire la notazione simbolica delle durate con
    una analogica che, appunto, indicava la durata relativa di un
    evento sonoro attraverso la lunghezza grafica del segno con
    cui l’evento veniva indicato nella partitura. Tale pratica aveva
    ed ha la sua giustificazione per le musiche realizzate con suoni
    sintetici e fissate su supporto, nel qual caso la partitura (se
    viene redatta) spesso ha la funzione di protocollo (post
    factum) e non deve servire da guida per un’esecuzione dal
    vivo, e sarebbe un po’ curioso cercare di indicare le durate di
    suoni elettroacustici realizzati in studio con i simboli
    notazionali della musica strumentale. Per quest’ultima invece
    si è presto rivelata la superiorità in quanto facilità di lettura
    della notazione simbolica (tralasciamo la discussione sugli altri
    tentativi di notazione durazionale che pure ci sono stati). !
    La questione è stata discussa molto meno sul lato dei fruitori,
    praticamente non sappiamo ancora se in un contesto spaziale
    con evidenti e marcate estensioni spaziali nel quale sono
    presentati avvicendamenti sonori con durate aventi gli stessi
    rapporti, tale “parentela” venga avvertita o addirittura dia
    luogo ad una particolare fruizione estetica.!
    È la questione che ho voluto mettere alla base di Estensioni.
    Sono evidenziate 4 estensioni spaziali nella chiesa di S. Rita (la
    massima e la minima in verticale, e la massima e la minima in
    orizzontale). I rapporti tra quelle estensioni formano lo
    scheletro dell’articolazione delle durate dei materiali audio e
    delle pause. Le luci stesse sono temporizzate negli stessi
    rapporti (moltiplicati rispetto ai valori per l’audio).!
    Il lavoro non vuole essere una ricerca sinestetica su suono e
    luce (ritengo la sintestesia un terreno scivoloso e poco
    promettente), ma si prefigge di creare un ambiente spaziotemporale
    di cui, forse, si potrà cogliere gli elementi comuni a
    spazio e tempo.!

Leave a Reply

Lo siento, debes estar conectado para publicar un comentario.

mediateletipos.net Seguir

Sound art, audiovisual activism, and new media.

Avatar
Retuitear en Twitter mediateletipos.net Retuiteado
Avatar Robert Beatty @edsunspot ·
4 Sep

Internet Archive forever, fuck copyright

Responder en Twitter 1831427228091183297 Retuitear en Twitter 1831427228091183297 229 Dar me gusta en Twitter 1831427228091183297 1477 Twitter 1831427228091183297
Retuitear en Twitter mediateletipos.net Retuiteado
Avatar Sergio Sánchez @jazznoize ·
24 Ago

Deberíamos ir a grabar sus voces. Que suenen por megafonía. #talibanes #sonidos

Responder en Twitter 1827311211727192323 Retuitear en Twitter 1827311211727192323 2 Dar me gusta en Twitter 1827311211727192323 3 Twitter 1827311211727192323
Retuitear en Twitter mediateletipos.net Retuiteado
Avatar AGF ❤️‍ @poemproducer @poemproducer ·
28 May 2024

the entire human species should put all focus and resources to prevent ecocide, implement climate justice and force global disarmament, this is not naive talking, this is an urgent necessity ... we are one species, we decide how to become, alongside all life

Responder en Twitter 1795332083629568417 Retuitear en Twitter 1795332083629568417 1 Dar me gusta en Twitter 1795332083629568417 6 Twitter 1795332083629568417
Retuitear en Twitter mediateletipos.net Retuiteado
Avatar Los voluble @voluble ·
17 Mar 2024

Medio día de pregón,
Tarde de "searching for a good sample"

Id a muerte con Dios

Responder en Twitter 1769336726646911362 Retuitear en Twitter 1769336726646911362 2 Dar me gusta en Twitter 1769336726646911362 6 Twitter 1769336726646911362
Load More

Tags

acciones acústica arte arte sonoro artilugios artistas audiovisual charlas cine comunidades convocatorias copyleft cultura libre directos educación entrevistas eventos exposiciones festivales fonografía grabaciones de campo hacktivismo historia ideologías instalaciones instrumentos inteligencia colectiva internet libros música netaudio novedades nuevos medios paisaje sonoro podcasts radio recursos ruido software software libre sonido talleres textos videoarte vídeo

Comentarios

  • The Losers Conspiracy – (V) - ./mediateletipos))) en Existential cornerstone of DIY music
  • Pablo pelotudo callate que no sabes en Escribiendo sonidos

ENLACES

  • Artesonoro.org
  • Aurales
  • Escoitar.org
  • Observatorio de la Escucha
  • Sensxperiment 2011
  • Ursonate Fanzine
  • Zemos98
© Copyleft 2023. Algunos derechos reservados. Web alojada en Pumpun. I/O
Utilizamos cookies para asegurar que damos la mejor experiencia a nuestros usuarios y para desayunar. Si sigues navegando, asumiremos que estás de acuerdo.Chachi