“Beginning 1993, the MidAmerican Center for Contemporary Music has periodically published the proceedings of the New Music & Art Festival in its music theory journal, the Contemporary Music Forum” [available in PDF format].

Volume 1: “Social Dynamics at the Heart of Composition: Implications of Christian Wolff’s Indeterminate Music” by Mark D. Nelson

“Minimialism and Macroform” by Nadine Hubbs

“(Super)Computer Produced Musical Manifolds” by Sever Tipei

“In Memoriam Dylan Thomas: Derivation of the Tone Row” by Bruce B. Chamberlain

Volume 2: “Did Modernism Fail Morton Feldman?” by Molly Paccione and Paul Paccione

“Listening for Large-Scale Form in the Music of Milton Babbit” by William E. Lake

“Composition and Synchronized Sound, from Opera and Cinema to the Computer” by Robin Bargar

“The Development and Application of the Chain Technique in the Recent Works of Witold Lutoslawski” by Gerald E. Evans

Volume 3: “Structural Hierarchy in Two Works of Edgard Varèse: Écuatorial and Density 21.5” by Timothy Kloth

“Analyzing Poème Électronique: Clues from the Getty Archive and the Spectrogram” by Ann Stimson

“Attack, Sustain, and Decay as Metaphor in Synchronisms No. 3 by Mario Davidovsky” by Peter M. Susser

“Weather Report and The Expansion of Jazz Form” by David J. Vayo

Volume 4 “Native-American Resonances in Contemporary Concert Music” by Curt Cacioppo

“The Eclectic Piano Music of Manuel M. Ponce” by David Witten

“In Quest of ‘Silver Ladders’ in the Americas” by Charles Hoag

“Dealing with Rock: How the Contemporary Composer Deals with Cultural Background” by Keith Kothman

Volume 5-6: “Timbre in Nancarrow’s Studies for Player Piano” by David Vayo
“Toward a Feminine Form in Music: Pauline Oliveros’s Rose Moon” by Pamela A. Madsen

“The Movement of Sound in Space: An Update” by Ellen Fishman-Johnson

“Postmodern Narrative and John Zorn’s Spillane” by Eric Dries