../mediateletipos)))

Feliz año audioadictos / Happy new year audio-addicts
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http://www.sinsalradio.com
ESCOITAR/LISTEN [HI-FI] [LO-FI]

data.date 30.Dec.2005
Raro & Apenino
s/t
sinsalaudio.com

Temas compuestos por Raro y arreglados, masterizados y mezclados por Apenino.
sinsalaudio.com, vigo, spain

PLAYLIST:
#1
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#5
#6
#7
#8
#9 mon_petit_chaussette
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111 Creative Commons Christmas Songs

Literal [boingboing]
Here’s a list of 111 songs which are all explicitly released under a Creative Commons license (no, I did not consider songs which are merely “podsafe”!) and thus can be shared, listened to, and sometimes even modified freely. There’s a great variety in style, mood, and genre of the songs: some traditional, some contemporary, some happy, some sad, and some just plain funny.

http://www.boingboing.net/2005/12/24/111_creative_commons.html

Como instalar PureData, PDP, PIDIP y no palmar en el intento

Hace un par de semanas que la incansable gente de delacrew publicó en su blog este miniHOWTO destinado a guiar a todos los incipientes linuxeros con la instalación de PureData y las liberías PDP y PDIP, dedicadas al trabajo con video.

Sirva este post como acicate para esa deseada por much@s (entre los que me incluyo) progresiva inmersión en linux… contínuamente postpuesta por ausencia de conocimiento y/o tiempo …. sin duda, este será un buen propósito para el ciclo 2006…. ,)

The Fluxus Blog
: : : : Fluxus Information and Fluxus Musings

Allan Revich es el autor de The Fluxus Blog, el cual contiene información acerca del movimiento Fluxus, así como diversas muestras de arte Fluxus, tanto pasado como actual.

http://www.digitalsalon.com/weblog/

Fluxus “happens when one feels that life and art must be taken so seriously, that it becomes impossible to take life or art seriously.”

1) Fluxus makes the mundane magical.
2) Fluxus happens when one feels that life and art must be taken so
seriously, that it becomes impossible to take life or art seriously.
3) Ordinary acts and ordinary objects perceived in extraordinary ways.

La moda del ipod vídeo está llegando a muchos sitios. Esto es una batalla que no tiene tregua, aunque andemos de vacaciones, un tag de del.icio.us nos ha revelado esta información (es algo que podéis encontrar en la web oficial también):

Jonny from Eclectic Method has just told us they have the entire “We’re Not VJ’s” available as a PSP/iPod video download. Hurry, hurry, it’s only online for two weeks.

Ya lo tenemos descargado y merece la pena ver el trabajo de estudio de estos 2manydjs del vj. Ah! que no hace falta tener ipod/psp para verlo, lo puedes ver en vlc perfectamente.

AudioMulch 1.0rc1

http://www.audiomulch.com/

AudioMulch version 1.0rc1 is now available from the download page. This version will expire on January 14th 2006.

This version includes over 20 bug fixes, user interface tweaks and sonic enhancements. The most significant changes are: improved LiveLooper and CanonLooper contraptions with documentation; the ability to use MIDI note and aftertouch messages as control sources; and a new toggle MIDI mapping mode for boolean (checkbox) parameters. Together these enhancements make it much easier to control AudioMulch contraptions (including the Loopers) using MIDI foot pedals and control surfaces with buttons..

Lista de discusión COPYLEFT y ARTE

Como consecuencia de los debates habidos durante las Jornadas Copyleft que tuvieron lugar en Arteleku, junio de 2005, ponemos en marcha la lista de discusión sobre artes visuales y copyleft. El objetivo será debatir el estado de la cuestión en las Artes Visuales en torno al fenómeno del Copyleft. Sobre cómo la idea de dominio público y circulación libre de conocimiento penetra difícilmente en este ámbito de la creación; sobre la producción de cultura libre; sobre licencias libres y de contenido abierto, etc.

La irrupción de lo digital en el arte ha sido objeto de estudio y trabajo en el mundo del arte desde un punto de vista casi exclusivamente procedimental, estético y formal. Esto es, los nuevos medios y posibilidades digitales han abierto un gran abanico de herramientas a la vez que presentan un fecundo espacio para nuevas “formas” e “imágenes”. Sin embargo, no ha incidido, como se podrían esperar si volvemos la vista al sofware libre de código abierto, en un giro de los paradigmas vigentes en las estructuras tradicionales para el arte contemporáneo.

Nos encontramos ante una situación paradójica que queremos someter a debate en este foro. Por un lado, las industrias culturales tales como la musical o Hollywoodiense son emblemáticas de los problemas a muy diferentes niveles que el fenómeno digital representa para sus modelos de negocio. En segundo lugar, el camino abierto por el mundo del software libre de código abierto plantea un amplio catálogo de soluciones que, por último, podemos para ver de qué manera pueden afectar al ámbito de las artes visuales. Es decir, las estructuras vigentes para el arte contemporáneo, eternas aspirantes a constiuirse en industria cultural, siguen con admiración los tics neocapitalistas de las industrias culturales “de éxito”, con el seguro riesgo de repetir sus errores. Sin atender al camino abierto por el software libre, que irremediablemente trae consigo un cambio de los paradigmas tradicionales vigentes en la producción cultural del siglo XXI.

Subscripción a la lista:
https://listas.sindominio.net/mailman/listinfo/copyleft-arte

Silence of the Lands

http://www.thesilence.org/

Silence of the Lands enables participants to annotate and map the soundscape of urban and natural environments. Participants can record and collect ambient sounds, create and share individual and collective cartographies, and use them as conversation pieces of a social dialogue on natural quiet. The result is a pervasive museum in which natural quiet is transformed into a living and affective geography that changes over time according to participants’ perceptions and interpretations of their environmental setting.

The project, currently under development, explores locative media as a component of large sociotechnical architectures aimed at supporting co-creation as a new form of collaborative design. We refer to this practice as metadesign

Terre Thaemlitz++ writings

http://www.comatonse.com/writings/index.html

This page is a repository for texts discussing strategies for the social application of sound and the politicization of Electroacoustic music (although it has lately become a general dumping ground for Terre Thaemlitz’ published writings on a wide variety of subjects).

__ featured writers :

Hannah Bosma
Christopher Penrose
Terre Thaemlitz
Ultra-red

AudioForums

http://www.audioforums.com/

AudioForums.com is primarily geared to audio editors, producers, engineers and musicians creating and editing music in the computer DAW (Digital Audio Workstation) environment. All users are welcome whether you are a full time professional, a working part time project studio owner or the casual user making music on your computer at home for your own enjoyment. Basically, anyone making sounds and music in the computer or digital environment can benefit, and have a good time by learning and contributing!

The main function of the site is the forum section, as you might expect from the site name. We also hope to increase the content in the “Info-Hub” section and we always love to hear suggestions and creative input to the site.

/// PolymOrphOus Space : :: :::
by Tetsuo Kogawa

http://anarchy.translocal.jp/

After studying philosophy at Sophia(Tokyo) and Waseda universities, Tetsuo Kogawa spent many years in New York City. He taught at Wako University and Musashino Art University and is currently Professor of media experiments at Tokyo Keizai University’s Department of Communication Studies. Kogawa introduced free radio movement to Japan, and is widely known for his blend of criticism, performance and activism. He has written over 30 books on media culture, film, city and urban space, and micro politics. He has shown his artistic and useful workshops to build Mini-FM transmitter in many cities of Canada, US and Europe. Most recently he has combined the experimental and pirate aesthetics of the Mini-FM technology with internet streamed media in such projects as “Radio Party”, “Translocal Palimpsest”, and “Radio Kinesonus”.

Audio Visual Orchestra

http://www.hmcmedialab.org/projects/Audiovisualorchestra/

The artwork of the Audio Visual Orchestra explores the relationship between hallucination and technology, between the natural and the artificial and between the everyday and the mystical. This project recreates an altered state of consciousness in the viewer through solely technological means. It is fractaline, chaotic and self-organising in form. These pieces represent a shared space between the physical and the virtual, the brain and the mind. The music, video and dance were all performed in real-time, live, in the moment, without any post-production at all.

Unusually, these visuals were made without the use of a single computer, instead the Audio Visual Orchestra re-appropriated a range of analogue equipment, resulting in these beautiful images. The pieces represent a multi-disciplinary collaboration between a number of art forms and practices.

The Audio Visual Orchestra brings together dancers, musicians and video artists, working to create stunning live art pieces, with an emphasis on combining the spiritual with the technological, culminating in artworks that will react dynamically to your presence. As you stand in the space huge screens show an image of you with colours and shapes flying around your body. Using a wide range of interfaces from push-able buttons to immaterial triggers it is now possible to create beautiful moving images in space. These stunning visuals are complimented by strange echoing sounds that react to any noise you make. The sounds and the visuals can be intrinsically linked creating a true synaesthesia.

Sean Eisenstein is the Director of the Audio Visual Orchestra.

vía: networked_performance

The BASIC Stamp 2px

http://www.parallax.com/detail.asp?product_id=BS2PX-IC

The BASIC Stamp 2px module (BS2PX24) is the highest performing of all the BASIC Stamp microcontrollers, running nearly 1.6 times faster than the BASIC Stamp 2p. The BS2px includes a built-in voltage comparator, as well as user-configurable Pull-up Resistor, Schmitt Trigger, and Logic Threshold circuitry on every I/O pin. In order to use the BASIC Stamp 2px.

> STREET_Zinema2005… international skateboarding video festival >
:: proyecciones navidazzz/ gabonetako emanaldiak/ x-mas screenings ::

(gratis!/ dohainik!/ free!)

* * * 25 de Diciembre, Domingo/ Abenduak 25, Igandea… (19:30h) * * *
SOMA 107 (c/Larramendi 4, Donostia/ San Sebastián):

- “GETTiNG NOWHERE FASTER”, VillaVillaCola. USA2005
- “ANiMALES PUBLiCOS”, Mischa Canibal. Euskal-Hiria 2005

* * * 27 de Diciembre, Martes/ Abenduak 27, Asteartea… (18:00h) * * *
OXPORD erakusketa aretoa (c/Erribera, Zumaia. Gipuzkoa):

- Documental “SKATE EUSKADi”, Anai Garcia. Pamplona 2005
Impresionante trabajo presentado en Septiembre en la televisión ETB2!

* * * 29 de Diciembre, Jueves/ Abenduak 29, Osteguna… (18:00h) * * *
OXPORD erakusketa aretoa (c/Erribera, Zumaia. Gipuzkoa):

- “EL SUEÑO DEL PiBE TOUR”, Felipe Carosella. Argentina 2005
- “PERROS CALLEJEROS”, Mischa Canibal. Euskal Hiria 1995> 2003

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Organizan: www.9cdr.tk + Ostargi/ Gaztetxola
Patrocinadores: Arteleku.net + Zumaiako Udala
Colaboradores: EdicionLimitada-Serigrafia.com + Perros Callejeros Sk8 Films…

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