The End of Books (1894) by Octave Uzanne

«Libraries will be transformed into phonographotecks, or rather, phonostereoteks; they will contain the works of human genius on properly labelled cylinders, methodically arranged in little cases, rows upon rows, on shelves. The favorite editions will be the autophonographs of artists most in vogue; for example, every one will be asking for Coquelin’s ‘Molière,’ Irving’s, ‘Shakespeare,’ Salvini’s ‘Dante,’ Eleonora Duse’s ‘Dumas Fils,’ Sara Bernhardt’s ‘ Hugo,’ Mounet Sully’s ‘Balzac;’ while Goethe, Milton, Byron, Dickens, Emerson, Tennyson, Musset, and others will have been ‘vibrated upon cylinders by favorite Tellers.’