The Reach of Resonance es una película que cuestiona el significado de la música y cómo ésta puede variar su significado y significante en sus diferentes versiones, aportadas por los cuatro artistas invitados: Miya Masaoka, Jon Rose, John Luther Adams y Bob Ostertag. Desde la página web de la película se puede acceder a información interesante sobre este proyecto que ha recibido varios premios. Uno de los vídeos que no se incluyó en la película, pero que considero importante para cuestionar la práctica musical, es este video (incluido en este post) en el que Jon Rose y John Oswald colaboran para (re)interpretar el Concierto para Violín in D Mayor, Op. 35 de Tchaikovsky.

Filmed in ten countries, “The Reach Of Resonance” is a meditation on the meaning of music, which juxtaposes the creative paths of four musicians who use music to cultivate a deeper understanding of the world around them. Among them are Miya Masaoka using music to interact with insects and plants; Jon Rose, utilizing a violin bow to turn fences into musical instruments in conflict zones ranging from the Australian outback to Palestine; John Luther Adams translating the geophysical phenomena of Alaska into music; and Bob Ostertag, who explores global socio-political issues through processes as diverse as transcribing a riot into a string quartet, and creating live cinema with garbage. By contrasting the creative paths of these artists, and an unexpected connection between them by the world renowned Kronos Quartet, the film explores music not as a form of entertainment, career, or even self-expression, but as a tool to develop more deeply meaningful relationships with people and the complexities of the world they live in.