En la revista online Art Practical dedican su entrega más reciente al sonido bajo el título The Sound Issue. Esta revista se centra específicamente en la zona de San Francisco, así que los artículos hablan sobre todo de artistas establecidos en esa parte de EE.UU.

From the earliest days of sound art, artists and experimental musicians discovered in the genre a medium that is inclusive, participatory, disruptive, and that could embody their political goals. Today, the Bay Area’s technological reign has established San Francisco as a destination for sound artists seeking to advance their practices through the genesis of new mediums. They explore sound’s capacity to conflate sensory experience; sounds are both aural and physical, producing reverberations that register in our ears and bodies and that locate or disorient us in space. How do they respond to different contexts and juxtapose with other artistic forms? This thematic issue of Art Practical delves into the Bay Area’s rich history and attempts to probe the very essence of sound as well as the hybrid practices of contemporary sound artists.

Se publicó ayer mismo y no he leído todavía todos los artículos, pero prometen ser interesantes. Hay uno sobre Infrasound y el tema de escuchar a través del cuerpo, otro sobre el San Francisco Tape Music Center’s (SFTMC), un par de entrevistas con artistas como Jacqueline Gordon y Paul DeMarinis, etc. En total son diez artículos sobre temas bastante variados que tocan desde las esculturas sonoras al glitch.