• SECCIONES
    • Audiovisión
    • Sound Studies
    • Cuadernos
    • RADIO
  • ARCHIVO
  • SOBRE NOSOTROS
  • CONTACTO
./mediateletipos)))
  • SECCIONES
    • Audiovisión
    • Sound Studies
    • Cuadernos
    • RADIO
  • ARCHIVO
  • SOBRE NOSOTROS
  • CONTACTO
30 abril 2008

Festival Agora 2008

Written by Carlos Suárez
Sin categoría arte sonoro, composición, directos, electroacústica, eventos, festivales, instalaciones Leave a Comment

Festival Agora 2008

4 au 20 juni 2008

The icon, the voice

Timbre and light, the fusion of harmony and shapes, visual metaphors for an object permeating sound, Agora 2008 interweaves listening with vision and the sudden appearance of the voice as a resonant icon. Opening with L’Icône paradoxale by Gérard Grisey, a work that literally «scrutinizes» the Madonna del Parto by Piero della Francesca, the two-week period of Agora 2008 is the occasion for IRCAM to present its most recent developments in the domain of expressivity of music and speech. From Stefano Gervasoni’s new fado to the visual and theatrical «machinations» by Georges Aperghis, from Jonathan Harvey’s «spoken orchestra» to the first work by Beat Furrer that sends voices and electronics into the listening space, Agora examines the question of the voice from all angles. Be it a real presence connected to the affects of language (Com que Voz by Gervasoni), a collection of phonemes that multiply expressive misunderstandings (Aperghis), or asymptotic of the instrumental domain that approaches and imitates it (Speakings by Harvey), the voice literally haunts Agora. Agora 2008 is a festival situated at the threshold of the verb, created by the entire IRCAM team with the support of the Spectacles vivants at the Centre Pompidou, it is a festival that now accompanies its most important productions to other French and international venues.

«We are musicians and our model is sound, not literature; sound, not mathematics; sound, not theater, not art, not quantum theory, not geology, not astrology, not acupuncture.» In this founding and iconoclastic statement, Grisey proclaimed the autonomy of the musical work and its unlimited power not to «mean» anything. Agora ponders the legacy of this French composer that passed away a decade ago and remains a decisive figure for musicians from wide-ranging backgrounds, such as Georg Friedrich Haas, as well as for a new generation of artists. The aesthetics of saturation and bruitisme, extremely present in IRCAM’s new Cursus program, are a part the traces left by the composer of Quatre Chants pour franchir le seuil who considered the spectral adventure to be a genuine Renaissance. A nothingness never evacuated, similar to the «lost looks» (Yves Bonnefoy) in the mathematical constructions of Piero della Francesca, that defies the purity of the initial aesthetic intention: the almost absent in spectral music, it’s blind spot – the voice or figure – reappears in the last work by Grisey. Music as a continual, rather than a discursive development; a biased and irreversible, rather than a chronometric time imagined over a certain period that is pure and free of any subject. This oeuvre has nonetheless produced numerous visual and formal analogies that will stand the test of time. The musical icon is, in this sense, truly a «paradox».

Frank Madlener, Director of IRCAM

affiche-pt.jpg

Compartir
 Previous Article Four sound effects that made TV history
Next Article   Entrevistas cortas Escoitar.org: Carmen Pardo

Leave a Reply

Lo siento, debes estar conectado para publicar un comentario.

mediateletipos.net Seguir

Sound art, audiovisual activism, and new media.

Avatar
Retuitear en Twitter mediateletipos.net Retuiteado
Avatar Robert Beatty @edsunspot ·
4 Sep

Internet Archive forever, fuck copyright

Responder en Twitter 1831427228091183297 Retuitear en Twitter 1831427228091183297 229 Dar me gusta en Twitter 1831427228091183297 1477 Twitter 1831427228091183297
Retuitear en Twitter mediateletipos.net Retuiteado
Avatar Sergio Sánchez @jazznoize ·
24 Ago

Deberíamos ir a grabar sus voces. Que suenen por megafonía. #talibanes #sonidos

Responder en Twitter 1827311211727192323 Retuitear en Twitter 1827311211727192323 2 Dar me gusta en Twitter 1827311211727192323 3 Twitter 1827311211727192323
Retuitear en Twitter mediateletipos.net Retuiteado
Avatar AGF ❤️‍ @poemproducer @poemproducer ·
28 May 2024

the entire human species should put all focus and resources to prevent ecocide, implement climate justice and force global disarmament, this is not naive talking, this is an urgent necessity ... we are one species, we decide how to become, alongside all life

Responder en Twitter 1795332083629568417 Retuitear en Twitter 1795332083629568417 1 Dar me gusta en Twitter 1795332083629568417 6 Twitter 1795332083629568417
Retuitear en Twitter mediateletipos.net Retuiteado
Avatar Los voluble @voluble ·
17 Mar 2024

Medio día de pregón,
Tarde de "searching for a good sample"

Id a muerte con Dios

Responder en Twitter 1769336726646911362 Retuitear en Twitter 1769336726646911362 2 Dar me gusta en Twitter 1769336726646911362 6 Twitter 1769336726646911362
Load More

Tags

acciones acústica arte arte sonoro artilugios artistas audiovisual charlas cine comunidades convocatorias copyleft cultura libre directos educación entrevistas eventos exposiciones festivales fonografía grabaciones de campo hacktivismo historia ideologías instalaciones instrumentos inteligencia colectiva internet libros música netaudio novedades nuevos medios paisaje sonoro podcasts radio recursos ruido software software libre sonido talleres textos videoarte vídeo

Comentarios

  • The Losers Conspiracy – (V) - ./mediateletipos))) en Existential cornerstone of DIY music
  • Pablo pelotudo callate que no sabes en Escribiendo sonidos

ENLACES

  • Artesonoro.org
  • Aurales
  • Escoitar.org
  • Observatorio de la Escucha
  • Sensxperiment 2011
  • Ursonate Fanzine
  • Zemos98
© Copyleft 2023. Algunos derechos reservados. Web alojada en Pumpun. I/O
Utilizamos cookies para asegurar que damos la mejor experiencia a nuestros usuarios y para desayunar. Si sigues navegando, asumiremos que estás de acuerdo.Chachi