• SECCIONES
    • Audiovisión
    • Sound Studies
    • Cuadernos
    • RADIO
  • ARCHIVO
  • SOBRE NOSOTROS
  • CONTACTO
./mediateletipos)))
  • SECCIONES
    • Audiovisión
    • Sound Studies
    • Cuadernos
    • RADIO
  • ARCHIVO
  • SOBRE NOSOTROS
  • CONTACTO
27 October 2007

Remixing the Archive

Written by Pedro Jiménez
Videoteletipos cine, convocatorias, copyleft, cultura libre, exposiciones Leave a Comment

Literal de Rhizome.org

King Tubby and Marcel Duchamp are kindred spirits in so far as they each helped usher in the conceptual aesthetic now known as the Remix. The former did this through Jamacian Dub music in the late 1960s and early 70s while the latter appropriated a mustachioed postcard of the Mona Lisa. While King Tubby’s strain of reggae has sprawled across the sonic landscape to affect everything from Grime to Mariah Carey, the remix has not been as pervasive within visual culture, partially due to an unfortunate insistence on the absolute authority of the ‘genius’ artist. As such, the Berkley Art Museum’s new exhibition RIP.MIX.BURN.BAM.PFA, which opened October 24th, is a welcome break with orthodox. Curated by Richard Rinehart, guest artists were invited to remix two digital works from the museum’s collection, Ken Goldberg’s Ouija 2000 and Valery Grancher’s 24h00 (both 1999). Each ‘new’ work is being displayed along side the ‘originals.’ ReMixer, a live event and performance, is be! ing held in conjunction with the opening reception on Friday October 26th at the museum. Berkeley’s Kid Kameleon and DJ Ripley will perform, and making the celebration of all things remix as egalitarian as it should be, the Improbable Orchestra’s do-it-yourself DJ machine will be on display. The event and exhibition ensure what so many promise but fail to deliver, an aesthetic of multiplicity. – David Michael Perez

ripmixburn_grancher_24h00.jpg

http://bampfa.berkeley.edu/exhibition/ripmixburn

Compartir
 Previous Article Philippe Robert: Musiques expérimentales
Next Article   How to make a microphone from a speaker.

Related Posts

  • INTERSECCION Encuentro Internacional de Arte Audiovisual

    8 November, 2018
  • Death of the Sound Man

    20 September, 2018
  • DiálogosElectroFlamencos Madrid

    DiálogosElectroFlamencos Madrid

    6 March, 2017

Leave a Reply

Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Tweets by @mediateletipos
  • 023MR / Patologías Sonoras XI – Bonus Track

  • Patologías Sonoras

  • 022MR / Patologías Sonoras X – ASMR

  • 021MR / Patologías Sonoras IX – Implantes cocleares

  • 020MR / Patologías Sonoras VIII – Anacusia

  • 019MR / Patologías Sonoras VII – Sordera

  • 018MR / Patologías Sonoras VI – Hipoacusia

  • 017MR / Patologías Sonoras V – Hiperacusia

  • 016MR / Patologías Sonoras IV – Acúfenos

  • 015MR / Patologías Sonoras III – Audioprótesis

  • 014MR / Patologías Sonoras II – Otorrinolaringología

  • 013MR / Patologías Sonoras I – Audiología

  • 012MR / Carmen Pardo

  • 011MR / Jorge David García

  • 010MR / Jaume Ferrete

  • 009MR / Ixiar Rozas

  • 008MR / María Salgado

  • 007MR / ALKU

  • 006MR / Francisco López

  • 005MR / Esther Ferrer

  • 004MR / Anna Ramos

  • 003MR / Jaime de los Ríos

  • 002MR / Alex Arteaga

  • 001MR / Perfecto Herrera

Tags

acciones acústica arte arte sonoro artilugios artistas audiovisual charlas cine comunidades convocatorias copyleft cultura libre directos educación entrevistas eventos exposiciones festivales fonografía grabaciones de campo hacktivismo historia ideologías instalaciones instrumentos inteligencia colectiva internet libros música netaudio novedades nuevos medios paisaje sonoro podcasts radio recursos ruido software software libre sonido talleres textos videoarte vídeo

ENLACES

  • Artesonoro.org
  • Aurales
  • Escoitar.org
  • Observatorio de la Escucha
  • Sensxperiment 2011
  • Ursonate Fanzine
  • Zemos98
© Copyleft 2015. Algunos derechos reservados. Web alojada en Pumpun. I/O
Utilizamos cookies para asegurar que damos la mejor experiencia a nuestros usuarios y para desayunar. Si sigues navegando, asumiremos que estás de acuerdo.¡Cojonudo!