{"id":40904,"date":"2018-01-21T23:46:12","date_gmt":"2018-01-21T22:46:12","guid":{"rendered":"http:\/\/www.mediateletipos.net\/?p=40904"},"modified":"2018-01-21T23:46:12","modified_gmt":"2018-01-21T22:46:12","slug":"vinyl-record-artpieces","status":"publish","type":"post","link":"http:\/\/www.mediateletipos.net\/archives\/40904","title":{"rendered":"Vinyl Record Artpieces"},"content":{"rendered":"

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Michael Dixon<\/a> lives and breathes vinyl recordings. He runs five successful vinyl companies \u2013 based on his longtime love of education, records, outsider art, and repurposing junk into handmade art pieces. He makes records by hand, one at a time, on 1940\u2019s record cutting lathes. He runs several record labels and travels the world teaching crowds at events and festivals the secret art of vinyl record production. Michael’s vinyl mini-empire is delivering living documents that are deeply rooted in a rich history and treasured artifacts that travel well into the future.<\/p>\n

In a world of ubiquitous digital files and streaming audio the lathe cut record is a unique and precious artifact catering to the deep human desire for the tangible. The preciousness of an object that is not mass produced or effortlessly duplicated is becoming more recognized by folks looking for something beyond the hollow take-n-toss culture propagated by big business. All five of Michael’s companies PIAPTK, Soild Gold, LatheCuts.com, MobileVinylRecorders.com and The Science Of Sound create these objects, with art and care – and they can play the music forever.<\/p>\n","protected":false},"excerpt":{"rendered":"

Michael Dixon lives and breathes vinyl recordings. He runs five successful vinyl companies \u2013 based on his longtime love of education, records, outsider art, and repurposing junk into handmade art pieces. He makes records by hand, one at a time, on 1940\u2019s record cutting lathes. He runs several record labels and travels the world teaching […]<\/p>\n","protected":false},"author":7,"featured_media":40905,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[19],"tags":[699,701,709],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/posts\/40904"}],"collection":[{"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/comments?post=40904"}],"version-history":[{"count":1,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/posts\/40904\/revisions"}],"predecessor-version":[{"id":40906,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/posts\/40904\/revisions\/40906"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/media\/40905"}],"wp:attachment":[{"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/media?parent=40904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/categories?post=40904"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/tags?post=40904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}