{"id":2166,"date":"2006-02-05T16:59:11","date_gmt":"2006-02-05T14:59:11","guid":{"rendered":"http:\/\/www.mediateletipos.net\/?p=2166"},"modified":"2008-07-24T12:46:10","modified_gmt":"2008-07-24T10:46:10","slug":"spatialization-competition-space-of-sound","status":"publish","type":"post","link":"http:\/\/www.mediateletipos.net\/archives\/2166","title":{"rendered":"Spatialization competition \u00abspace of sound\u00bb"},"content":{"rendered":"<p><font color=\"#0000FF\" size=\"3\">Spatialization competition \u00abspace of sound\u00bb<br \/>\nInterpretation of acousmatic works<\/font><\/p>\n<p><a href=\"http:\/\/www.musiques-recherches.be\" target=\"_blank\">http:\/\/www.musiques-recherches.be<\/a><\/p>\n<p><b>Acousmatic ::: Recorded work composed in studio, projected over loudspeakers in concert, without live intervention of other sound sources.<\/b><\/p>\n<p>The interpretation of acousmatic works through spatialization involves sound-projection and diffusion through a reduced system of loudspeakers deployed within a specific space. The \u00abmusiques &#038; recherches\u00bb acousmonium consists of 60 loudspeakers and an analog console that can send out up to 40 channels. In this competition,  spatialization is done \u00abmanually\u00bb, that is, free of any digital-technology automated storing and programming spatialization system. The interpreters themselves control and play the console during the competition, so, their presence is absolutely essential.<\/p>\n<p>The competition is open to the public and will take place from october 20 to 22, 2006 as part of the 13rd international acousmatic festival \u00abthe Space of Sound\u00bb at the marni theatre in brussels.<br \/>\nThe registration form and other required documents as indicated in  the competition guidelines must be sent to \u00abmusiques &#038; recherches\u00bb  by mail, postmarked before July 9, 2006.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.mediateletipos.net\/wp-content\/images\/acousmatic.gif\" width=\"200\" height=\"100\" alt=\"\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spatialization competition \u00abspace of sound\u00bb Interpretation of acousmatic works http:\/\/www.musiques-recherches.be Acousmatic ::: Recorded work composed in studio, projected over loudspeakers in concert, without live intervention of other sound sources. The interpretation of acousmatic works through spatialization involves sound-projection and diffusion through a reduced system of loudspeakers deployed within a specific space. The \u00abmusiques &#038; recherches\u00bb [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[15],"tags":[22,134,238],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/posts\/2166"}],"collection":[{"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/comments?post=2166"}],"version-history":[{"count":0,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/posts\/2166\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/media?parent=2166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/categories?post=2166"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mediateletipos.net\/wp-json\/wp\/v2\/tags?post=2166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}