AudioCulture | Europe \u2013 A Sound Panorama<\/a>
\nFestival with concerts, discussions and workshops
\n20-22 Oct 2011 – ZKM, Karlsruhe, Germany<\/p>\nThe festival AudioCulture places aesthetic emphasis on compositions that work with \u201cfield recordings\u201d. In the case of this creative approach, sounds are composed which \u2013 originating in the acoustic environment, the field of audible phenomenon \u2013 are recorded with a microphone and, to a certain degree reproduce reality. The recorded sounds, however, are not necessarily related to the original; they are often processed, made clearer or modified and arranged within new musical or narrative reference systems. Sounds are conceived and elaborated into musical elements, and new temporal structures. Thus, composed panoramas emerge that question the relationship to reality or else consciously play with the duality of reality and idea. By way of a special art of microphoning, the recordings are often of a particular conciseness, and are expounded and made perceptible in the existing acoustic nuances in the soundscapes invariably ignored in the moment in which they occur in everyday life. With their acoustic photographs, the composers create new perspectives, new acoustic-scenarios and extend the horizon of hearing and the imagination beyond the works themselves.<\/p>\n
The festival\u2019s point of departure is the project \u00bbEurope \u2013 A Sound Panorama\u00ab initiated in 2010 by the Goethe-Institute Belgrade, Deutschlandradio Kultur and ZKM | Institute for Music and Acoustics. The core of the work revolves around a Europe-wide request for five-minute radiophone or electro-acoustic compositions conceived such as to convey an impression of the peculiarities of one of the selected regions of Europe. From a total of 186 submissions, the international jury selected ten compositions by creative individuals from a great many countries in Europe. Under the artistic direction of media artist Thomas K\u00f6ner, they have now been invited to Karlsruhe for one week in October to elaborate from their works a European co-production for the dome-formed spatial sound system at the ZKM, and a radio version for Deutschlandradio Kultur; these are to be presented on October 22, 2011. <\/p>\n
Program
\nThurs. October 20, 2011, 6 pm, ZKM_Lecture Hall
\nIMA | lab No.6 \u00bbField Recording\u00ab<\/strong>
\nWorkshop discussion with the participants of the European project \u201cKlangpanorama\u201d\/ Panoramic Acoustics
\nand Thomas K\u00f6ner. Moderation: Julia Gerlach<\/p>\nFri., October 21, 2011, 8 pm, ZKM_Cube
\n\u00bbSound Fields\u00ab <\/strong>
\nKirsten Reese: \u201cDeckkraft\u201d (UA, 2011)
\nThomas K\u00f6ner \/ Asmus Tietchens: \u201cContact the Youngling\u201d<\/p>\nSat., October 22, 2011, 6 pm, ZKM_Medialounge
\n\u00bbSound Art @ Het Apollohuis\u00ab
\n<\/strong>Workshop discussion and CD presentations with Paul and H\u00e9l\u00e8ne Panhuysen
\nFor the archive exhibition \u201cHet Apollohuis\u201d
\nModeration: Julia Gerlach<\/p>\nSat., October 22, 2011, 8 pm, ZKM_Cube
\n\u00bbEurope \u2013 A Sound Panorama\u00ab (premiere, 2011)<\/strong>
\nEuropean competition, workshop and concert
\n\u201cEurope \u2013 A Sound Panorama\u201d is a Europe-wide call for proposals for a cooperative project under the artistic direction of media artist Thomas K\u00f6ner.<\/p>\nWith Susanna Caprara, Katrinem (Katrin Emler), Francesco Giomi, Konrad Korabiewski, Stefan Male\u0161evi, Etienne Noiseau, Tamer Fahri \u00d6zg\u00f6nen, Softday (Mikael Fernstroem & Sean Taylor), Pablo Sanz Almoguera, Ladislav \u017delezn\u00fd<\/p>\n","protected":false},"excerpt":{"rendered":"
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