Planet Boelex – No Business Like
ogredung.078 MP3|OGG
http://www.ogredung.org
A refined meeting between eccentric perfection and vibrating rhythms has always distinguished Planet Boelex’s works amidst the releases in the catalogue of any label really; discrete hints, beats like opaque diamonds set in sweet and inspiring harmonies. A track like a hidden secret, pulsating, enterprising, but perfectly structured IDM, drawn as a sensual figure provided with an enwrapping sensuality. Planet Boelex is lovable, for his apparent semplicity, for his crystal-like grooves, for the fluid rhythmic pattern that writes a little story, a shiver.
get the MP3
get the OGG
get to the archive.org page
http://hct.ece.ubc.ca/nime/2005/
http://www.iua.upf.es/mtg/publicacions.php?lng=eng&authorid=&authorlink=&wkshpid=357
2005 International Conference on New Interfaces for Musical Expression (NIME-2005)
The 2005 International Conference on New Interfaces for Musical Expression is the 5th conference on new musical interface design and follows the initial NIME workshop at CHI 2001. Since then, international conferences have been held in Dublin, Montreal and Hamamatsu.
This year, the conference is hosted at the University of British Columbia in Vancouver, Canada from May 26 to 28. The conference consists of a three full-day event where research papers, demos and performances will be presented on the state-of-the-art concerning new interfaces for musical expression. Don Buchla will be giving the keynote speech. There will also be invited talks given by Bill Buxton and Golan Levin during the conference.
ertz jaialdia / festival : 2005
6 ° Festival internacional de otras musicas en bera, navarra, junio.
¿el mejor?
2005/6/10 >> 22:00
* ARNOLD DREYBLATT
* JASON KAHN
* TÜSÜRI
2003/6/5 >> 22:00
* DAMO SUZUKI & ZU
* ERIC LA CASA & THOMAS CHARMETANT
* XABIER IRIONDO
* ASTRA
http://www.ertza.net/eusk/fes2005.html
KONTAKTUA / CONTACTO / KONTAKTUA:
ERTZ apdo 75 31780 BERA (Nafarroa)
www.ertza.net | info@ertza.net
http://www.sinsalradio.com
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data.date 27.Mai.2005
Essays on Radio
Can I have 2 minutes of your time?
[[o_Ó] < << [mix]set]
[+info] [cronicaelectronica.org]
PLAYLIST
01. Vitor Joaquim: Radio_0
02. tilia: doublethinktank III: we did our duty
03. @c: int.13/35
04. Pedro Tudela: Atmosfera Reduzida
05. Luis Marte: Exploraciones 6
06. Longina: Oidar
07. Ákos Garai: To Bjeller
08. Pawel Grabowski: Untitled 2:00
09. Pimmon: Ears that Hear
10. Pablo Reche: Expo Radio
11. Gintas K: Tunning On
12. Nick Dan & Sumugan Sivanesan: Radio05
13. Jörg Piringer: Sig/o
14. Boca Raton: Along The Line
15. o.blaat: I Wish I Had My Coffee While The Radio Was On
16. Durán Vázquez: Goebbels’ Pupils
17. Random Industries: Media Corrosion
18. Stephan Mathieu: Radiance
19. James Eck Rippie: Radio
20. Miguel Carvalhais: 0303
21. Paulo Raposo: Verbatim
22. Pal: 2ofmytime_x
23. Cáncer: 97.1 (edit)
24. Lawrence English: In Preparation
25. Ok.Suitcase: -sf 0905-04
26. Antmanuv: Silent Haarp
27. Heimir Björgúlfsson & Jonas Ohlsson: Thanks for Nothing
28. Gilles Aubry: Ridiot
29. The Beautiful Schizophonic: A Radiophonic Fairytale
30. Steinbrüchel: AM/FM
31. Ran Slavin: Golden Twilight Moments
32. Pure: Free Radio Azimuth
33. General Magic: Chronomops
34. Autodigest: After The Orgy (7″ radio edit)
35. John Hudak: The Big Beat
36. Freiband: Gong Station & Chimes
37. Heitor Alvelos: Had a Scanner Been Born on the Bosphorous
38. Christine Fowler: 2 minutes
39. Pita: 59.5…
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Taller de creación en espacio público digital: Palabras con valor
En LA CASA ENCENDIDA – 04.07.2005 al 08.07.2005
Alrededor de este proyecto exploraremos los conceptos de arte digital, de espacio público digital, de valores de open source, y lo que llamamos valores en la sociedad occidental, intentando hacerlos más entendibles, más tangibles y disponerlos al trabajo. Usaremos como herramientas, al menos en parte, técnicas de informática y la red como espacio público en el que explorar nuestros valores.
inscripción: Hasta ocho días antes del inicio del taller. Selección por CV y carta personal de solicitud. La lista de admitidos se publicará seis días antes del inicio del taller en el punto de información y en la página web.
http://www.haiquebotalos.com/
Proxección das curtametraxes “Hai que Botalos” na tenda SINSALaudio
LUGAR:
SINSALaudio
Gal. Príncipe, 22. Local 48
Tfno: 986 113800
FECHA E HORA:
Luns, 30 de maio, 21.00p.m
http://www.brg2005.org/
ACÇÃO DIRECTA (PT) ana (pt) antónio contador (pt) dj aï (fr) DANIEL LIMA (BR) hp.stonji (at/de) jaro gielens (nl) KENNY KILLER (PT)
+1 (pt) MANU (PT) mário moura (pt) maruti 800 (pt) MECANOSPHERE (PT/FR) MONOLAKE (DE) NÍSIOS (PT) OUTERSITES v3 (PT)
PAULO RAPOSO (PT) PEDRO TUDELA (PT) PIERRE BASTIEN (FR) PLUMB & PLUMBER (ES) POST-MORTEM REFLEX (PT)RAN SLAVIN (IL) R.U.M (PT)
SILVERIO (MX) SINSALAUDIO DJ TEAM (ES) TAM (PT) TATSUMAKI + EDGAR PÊRA (PT) TEAMTENDO (FR) VIKTOR FLORES (ES) vivax (pt)
http://tone.hu/float.html
: : :: : : : : : : :: : ::: float
in float, the ship is the play-head and the route is the track. the surrounding islands build the score of the sound installation. within a predefined framework the ship plays the track as it moves from one city to the other.
taking a ferry on the baltic sea is usually just transportation or entertainment on board. in either case, the sea, the location, the depth, the surroundings is insignificant. this sound installation makes all the invisible dimensions and the silent layers of data, audible.
all streams of data: the gps coordinates, distance to islands, depth, direction and speed are translated to sounds and sound controlling filters in real time. the result is a slowly developing soundscape that invites the traveler to listen to it frequently and to take a dose of the moment. float creates an experience where the listener is aware of hearing the location in the middle of nowhere.
we collect real time data and analize nautical charts. gps, sonar (depth) and radar (obstacles) data streams are processed in max/msp/jitter, where they get converted to sound, visualization of sound source and controls.
[float :: locative sound installation on the baltic sea in collaboration with tuomo tammenpää comissioned by the ISEA2004 festival the work was installed on the ferry travelling from helsinki over stockholm to tallin.]
http://www.ebow.com/
: :: ::: e-bow
The Energy Bow is a totally unique guitar accessory. It’s not just an effect like the many plug-in devices on the market. The EBow does its work on the string itself by producing an energy field that vibrates and sustains your guitar string… Direct String Synthesis™. Infinite Sustain is just the beginning. Powered by a 9-volt battery, the EBow is held in place of your pick, giving you instant access to violin, cello, flute and horn sounds as well as unique sounds of its own. The EBow lets you play as fast as your left hand can scurry through a lick. Fade a string in from a motionless state for a reverse-tape effect. Run the EBow across the strings for gorgeous arpeggios. Add distortion for a screaming guitar sound. Playing the EBow directly over the pickup will increase your volume many fold and give you the crisp sound of super hot pickups. Moving away from the pickup gives you the mellow sound of a hollow body electric. The sounds you discover by experimenting with the EBow will amaze you. And like the best tools of the trade, the EBow will sound different for each musician.
